| Title | Gladiator (complete) | |
| Rating | 10/10 |
|
| Composer | Hans Zimmer | |
| Add. Credits | Lisa Gerrard, Klaus Badelt | |
| Label, Year | - | |
Review
Since a lot has been written about this score already, I do not say much more than that it is an ingenious one, created for a wonderful film. It contains very good action music as well as extremely good anthemic and mystic music. Hans Zimmer re-used some passages from previous scores of his and also “Mars” from Holst's Planets suite. This score has won Hans Zimmer an Oscar nomination (unfortunately not the award itself) and a Golden Globe.
Track Rating
| Title | Time | ||
|---|---|---|---|
|
CD 1 |
|||
| 1 | Prologue - The Wheat - The Battle | ||
| 2 | Battle | ||
| 3 | Earth | ||
| 4 | Earth | ||
| 5 | The Protector Of Rome | ||
| 6 | Figurines | ||
| 7 | Patricide | ||
| 8 | The Emperor Is Dead | ||
| 9 | Homecoming - Sorrow | ||
| 10 | Desert Journey | ||
| 11 | Marakesh Marketplace | ||
| 12 | To Zucchabar | ||
| 13 | All That Remains | ||
| 14 | Maximus | ||
| 15 | The Might Of Rome | ||
|
CD 2 |
|||
| 1 | Strength and Honor | ||
| 2 | Reunion - Slaves to Rome | ||
| 3 | Barbarian Horde | ||
| 4 | Barbarian Horde (Victory March) | ||
| 5 | The General Who Became A Slave | ||
| 6 | Secrets | ||
| 7 | The Mob - Busy Little Bee | ||
| 8 | The Slave Who Became A Gladiator | ||
| 9 | Vengeance | ||
| 10 | Death Smiles At Us All | ||
| 11 | Am I Not Merciful | ||
| 12 | Elysium | ||
| 13 | Honor Him | ||
| 14 | Not Yet | ||
| 15 | Now We Are Free - End | ||
| 16 | Credits | ||
| 17 | Rome Is The Light | ||
| Criteria | Weight | Rating |
|---|---|---|
| Composition | 50% | 10 |
| Multitude of themes | 10% | 10 |
| Continuity | 10% | 9 |
| Instrumentation | 10% | 9 |
| Sound quality | 10% | 9 |
| Score length | 10% | 13 |
| Final Score | 100% | 10/10 |